The role of women's poetry in the Uzbek and Chinese literary environment of the twentieth century is incomparable. Especially the famous poetess, publisher and translator, beloved daughter of the Uzbek people Zulfiyakhanim and the famous prose writer, poetess, teacher and translator Xie Bing Xin, comparing their poems with linguistic-poetic analysis and revealing the creative environment of the country, the possibilities of verbal expression of the Uzbek and Chinese languages, all linguistic means aesthetically used by poets, the individual styles of creators and the worlds of artistic thinking, we will literally reproduce in original colors the dreams, goals, problems and experiences of women of the twentieth century, their inner world. Until now, many works and scientific studies have been carried out on the works of Zulfiya and Bing Xin in our native language and in various foreign languages. However, the poems and creative world of these two mature poets have not been studied deeply from a comparative linguistic and poetic point of view. In this article, their work is not only subjected to comparative linguistic and poetic analysis, but also new translations are made and the artistic discoveries of the two poetic schools are described in detail.

In this article, poets’ poems about “nature” are subjected to comparative linguapoetic analysis, and their stylistic features are described. Based on the characteristics of linguistic means, poetic arts, rhetorical questions, movements, phraseological units, the system of images expressing the connotative meaning used in their works, based on the characteristics of two languages, based on their poems on the theme of “spring” was studied comparatively.

comparative linguistic and poetic analysis, synesthetic metaphor, neologism, rhetorical question, artistic image, phraseological unit.

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