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| Open Access | DISTINCTIVE FEATURES OF NODIRA’S POETRY
Sodiqova Dilorom Tursunovna , PhD., Department of philology, Bukhara State University, Bukhara city, 200100, Uzbekistan Nurqobulova Go‘zal Bobomurod kizi , 1st-year Master’s Student Bukhara State University, Bukhara city, 200100, UzbekistanAbstract
This article provides a scholarly analysis of the artistic-aesthetic and philosophical foundations of the poetics of Nodira’s poetry, a prominent female poet of classical Uzbek literature. The study reveals the unique interpretation of classical Uzbek literary traditions, Eastern poetic thinking, and Sufi concepts in Nodira’s works. Particular attention is paid to the poetess’s creative individuality, poetic mastery, and symbolic imagery within the framework of classical literature.
Keywords
poetry, Nodira, Muntakhab ut-tavorikh, Tuhfat ut-tavorikh, Tarikhi Farg‘ona, Shohnomayi Devona Mutrib, Shohnomayi Devona Andalib, Voqeoti Muhammadalikhan, bilingualism (zul-lisonayn), ghazal, mukhammas, rubai, fard, talmeh (allusion), system of images, symbolic expression.
References
Adizova I. History of Uzbek Literature (16th–19th centuries, first half). Textbook. Tashkent: Innovatsiya-Ziyo, 2020.
Jalolov T. Uzbek Poetesses. Tashkent: G‘afur G‘ulom Publishing House, 1970.
Husayniy A. Badoyi-us-sanoyi (On Prosody and Literary Devices). Translated by A. Rustamov. Tashkent: Literature and Art Publishing House, 1981.
Orzibekov R. History of Uzbek Literature (17th–19th centuries, first half). Tashkent: Writers’ Union of Uzbekistan, 2006.
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