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TURKMEN DANCE: HISTORY, AESTHETICS AND MODERN DEVELOPMENT

Usmanova Gulasal Normukhammad kizi , Head of the Department of "Head of Choreographic Teams" of the Uzbek State Academy of Choreography, Associate Professor, Doctor of Philosophy in Art History (PhD)
Rasulova Rukhshon , 1st year master's student in the specialty "Head of Choreographic Teams" of the Uzbek State Academy of Choreography

Abstract

This article provides a detailed analysis of the history of the formation of Turkmen dance art, its artistic and aesthetic features, dance types, musical accompaniment, national costumes, as well as the modern stages of dance development. The article provides information on the differences between women's and men's dances, movement plasticity, mimicry, musical rhythm and stage interpretations. It also highlights the role of Turkmen dance in folk culture, its educational and spiritual significance. The results of the study show that Turkmen dance has formed as a unique art form within the rich cultural heritage of the peoples of the East. The article is important as a guide for students studying in the fields of Turkology, ethnography, dance art and cultural studies, as well as for folklore researchers.

Keywords

Turkmen dance, folk dances, national costumes, musical accompaniment, movement plasticity, stage art, Eastern dance.

References

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Kadirova, S. Dance art of Central Asia: tradition and modernity. Tashkent: Akademnashr, 2020.

Amanmyradow, G. National dance art of Turkmenistan. Ashgabat: Magaryf, 2016.

Charyyev, M. Turkmen culture and traditions. Ashgabat: Ilim, 2012.

Barthold, V.V. Studies on the history of Turkestan. Tashkent: Science, 1997.

Karimova, D. Stage culture in the art of dance. Tashkent: Creative Center, 2015.

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TURKMEN DANCE: HISTORY, AESTHETICS AND MODERN DEVELOPMENT. (2025). International Journal of Artificial Intelligence, 5(12), 277-280. https://www.academicpublishers.org/journals/index.php/ijai/article/view/8489