This article discusses Uzbek classical music, which occupies an important place in the rich spiritual heritage of the people of Uzbekistan, and its unique artistic and expressive features. The article scientifically analyzes the Shashmaqom system, its history of formation, genre composition, lad-intonation foundations and rhythmic structures. It also examines the differences between the Bukhara and Khorezm maqom schools, performance traditions, and stylistic aspects of song and instrumental maqoms. The educational, spiritual and aesthetic significance of classical music samples, their role in the formation of the artistic worldview and cultural thinking of the people, is discussed. The results of the research reveal the importance of Uzbek classical music in the modern musical and practical process and suggest scientific and methodological ways to convey it to the future generation.

uzbek classical music, art of maqom, shashmaqom, bukhara-khorezm maqom schools, introduction, prose, gardun, uygun, voice and instrumental styles, lad-intonational features, rhythmic methods, performing traditions, educational significance of classical music, musical aesthetics, spiritual heritage, ashula paths, instrumental maqoms

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