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| Open Access | ON THE STAGE OF THE UZBEK NATIONAL ACADEMIC DRAMA THEATER: “AFANDI’S FIVE WIVES”
Shobilolova Ozoda Shahobiddinovna , Bibliographer, Information and Resource Center, Uzbek State Institute of Arts and CultureAbstract
The article provides a comprehensive analysis of the performance “Afandi’s Five Wives.” Attention is given to the interpretation of national values presented in the play.
Keywords
theater, stage, performance, work, idea, playwright, director, actor, interpretation, scenography.
References
Rahmonov, M. Hamza (History of the Uzbek State Academic Drama Theater), Vol. 1 (1914–1960). – Tashkent: Literature and Art Publishing House named after G. Ghulom, 2001. – 325 p.
M.R. Rahmonov, M.T. TulaKhojaeva, I.A. Mukhtorov. History of the Uzbek National Academic Drama Theater (1960–2000), Vol. 2. – Tashkent: Republic Center for Strategic Planning, Methodology, and Information, Ministry of Culture, 2003. – 268 p.
Qodirova, S. The Art of Comedy: A History. – Tashkent: “SAN’AT”, 2008. – 208 p.
Sangirov, B.Yu. Interpretation of Ethnocultural Traditions in Uzbek Theater. – PhD dissertation in Theater Arts (17.00.01), Tashkent, 2019. – 111 p.
Yakubov, B.Ch. Contemporary Uzbek Dramaturgy and Its Stage Interpretation (1991–2016). – PhD dissertation in Theater Arts (17.00.01), Tashkent, 2018. – pp. 132–133.
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