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| Open Access | SPECIFIC FEATURES OF MAGICAL REALISM IN F. KAFKA’S CREATIVITY
Mamatisaqova Sevara Shamshiboyevna , AIFU Master’s student (2nd year) in Foreign Language and Literature.Abstract
This article explores the specific features of magical realism in the works of Franz Kafka, one of the most influential writers of the 20th century. Although Kafka is often associated with existentialism and absurdism, his creative output also demonstrates key elements of magical realism, such as the blending of reality with fantastical elements, the normalization of the absurd, and the psychological transformation of characters. The study analyzes Kafka’s major works, including The Metamorphosis, The Trial, and The Castle, to identify how magical realism manifests in his narrative techniques, symbolic structures, and thematic concerns. The article also examines scholarly perspectives on Kafka’s literary style and situates his work within the broader context of magical realism. The findings suggest that Kafka’s unique approach to narrative creates a distinctive form of magical realism that reflects modern alienation, bureaucratic oppression, and existential anxiety.
Keywords
Franz Kafka, magical realism, absurdism, existentialism, narrative technique, symbolism, transformation, modern literature, psychological realism
References
Kafka, F. (1915). The Metamorphosis.
Kafka, F. (1925). The Trial.
Kafka, F. (1926). The Castle.
Camus, A. (1942). The Myth of Sisyphus.
Sartre, J.-P. (1943). Being and Nothingness.
Carpentier, A. (1949). The Kingdom of This World.
Márquez, G. G. (1967). One Hundred Years of Solitude.
Nabokov, V. (1980). Lectures on Literature.
Todorov, T. (1975). The Fantastic.
Zamora, L. P., & Faris, W. B. (1995). Magical Realism: Theory, History, Community.
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This work is licensed under a Creative Commons Attribution 4.0 International License.