The article examines the linguistic analysis of the "superfluous man" type in 19th-century Russian literature and its transformation within modern artistic discourse. The author considers this phenomenon not only as a socio-psychological phenomenon but also as a special linguistic model of the individual, manifesting through a stable system of lexical-semantic and syntactic markers.

superfluous person, linguistic portrait, 19th-century Russian literature, lexico-semantic markers, syntax, reflection, apathy, existential crisis, chronotope, internal speech, psychological discourse, modern literature

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