Articles
| Open Access | THE USE OF MIMETIC ELEMENTS IN UZBEK THEATRE: PANTOMIME ELEMENTS AND ACTING MASTERY IN THE PERFORMANCE “BOZ MASKHARABOZ”
Sardor Mannonov , Uzbekistan State Institute of Arts and Culture “Department of Stage Movement and Physical Culture Acting Associate” PhDAbstract
This article analyzes the use of pantomime elements in Uzbek theatrical art through the example of the performance “Boz Maskharaboz.” The study examines the stage structure of the performance, the system of etudes within it, the actors’ performance, as well as the role of plasticity and mimicry in artistic expression.
Keywords
pantomime, mimicry, plasticity, stage movement, acting mastery, clowning, etude, dramatic theatre, commedia dell’arte
References
Rizayev, Sh. Surat va siyrat chizgilari: Olimjon Salimov. Tashkent: Sharq Publishing, 2010, pp. 96–97.
Rahmonov, M. Uzbek Theatre: From Ancient Times to the 18th Century. Tashkent: Fan Publishing, 1975.
Qodirov, M. “The Problem of Periodization and Re-study of 20th Century Uzbek Theatre History.” In: Independence and National Theatre. Tashkent: Yangi Asr Avlodi, 2002.
Qodirov, M. Uzbek Folk Performance Art. Tashkent: O‘qituvchi, 1981.
Aubert, Ch. World of Pantomime. London: Allen & Unwin, 1927.
Article Statistics
Downloads
Copyright License
This work is licensed under a Creative Commons Attribution 4.0 International License.