This article examines the history of the development of Uzbek cinema and film acting, its unique features, and its alignment with the times. It discusses the art of film acting and its mastery, emphasizing the importance of an actor’s ability to express emotions and movements in front of the camera, as well as the significance of the “authority of the camera.” The article also specifically addresses K.S. Stanislavski’s acting method and its influence on cinema. Additionally, the article reflects on the actor’s preparation for a role, the importance of both internal and external preparation, and the necessity of possessing specific details and specialized knowledge related to the profession. The differences between theater and cinema, the process of working on a role, and the correctness of its execution are also explored in depth.

Uzbek cinema, film acting, acting mastery, acting school, camera, emotions, movement, camera authority, K.S. Stanislavski, actor preparation, internal and external preparation, specialized knowledge, differences between theater and cinema, role, role performance

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